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An optional explanation about the anagram in green, the subject is in black, the anagram is in red.

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901

[To celebrate the 125th anniversary of the Eiffel Tower (erected in March 31st, 1889), Dante Rossetti's sonnet about Paris is anagrammed into a poem about the tower itself with a visual constraint, detailed below. Enjoy!]

About Paris

Tiled floors in bedrooms; trees (now run to seed -
Such seed as the wind takes) of Liberty;
Squares with new names that no one seems to see;
Scrambling Briarean passages, which lead
To the first place you came from; urgent need
Of unperturbed nasal philosophy;
Through Paris (what with church and gallery)
Some forty first-rate paintings, or indeed
Fifty mayhap; fine churches; splendid inns;
Fierce sentinels (toy-size without the stands)
Who spit their oaths at you and grind their r's
If at a fountain you would wash your hands;
One Frenchman (this is fact) who thinks he spars:
Can even good dinners cover all these sins?

That French Spire I Saw

As fondly I would gaze
At photos I had taken,
Those scenes in nobler France
Would thrash in me, awakened:
Each shop is glamorous,
Each square is sunny there,
The food is wonderful
And stress is very rare -
But often, in the depths,
One plus is permanent
More than its fussy fans
That watched its fresh ascent,
And 'neath this noble force
Composed with subtlety,
French, shiny openness
Shrouds timid novelty.
So scorn it, if you want,
And draw it - if you dare,
Though painting eagerly
Seems artificial there,
As, on prestigious grounds
Where iron has this heart,
Our epic shaft will grow
And climb beyond prime art.

[The visual tribute appears when the poem is centered and every word containing an I in the poem body is highlighted:]


That French Spire I Saw

As fondly I would gaze
At photos I had taken,
Those scenes in nobler France
Would thrash in me, awakened:
Each shop is glamorous,
Each square is sunny there,
The food is wonderful
And stress is very rare -
But often, in the depths,
One plus is permanent
More than its fussy fans
That watched its fresh ascent,
And 'neath this noble force
Composed with subtlety,
French, shiny openness
Shrouds timid novelty.
So scorn it, if you want,
And draw it - if you dare,
Though painting eagerly
Seems artificial there,
As, on prestigious grounds
Where iron has this heart,
Our epic shaft will grow
And climb beyond prime art.

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902

THE WALRUS AND THE CARPENTER
A Poem by Lewis Carroll

"The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright -
And this was odd, because it was
The middle of the night.

The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done -
"It's very rude of him," she said,
"To come and spoil the fun."

The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying overhead -
There were no birds to fly.

The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
'If this were only cleared away,'
They said, 'it would be grand!'

'If seven maids with seven mops
Swept it for half a year,
Do you suppose,' the Walrus said,
'That they could get it clear?'
'I doubt it,' said the Carpenter,
And shed a bitter tear.

'O Oysters, come and walk with us!'
The Walrus did beseech.
'A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each.'

The eldest Oyster looked at him,
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head -
Meaning to say he did not choose
To leave the oyster-bed.

But four young Oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat -
And this was odd, because, you know,
They hadn't any feet.

Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more -
All hopping through the frothy waves,
And scrambling to the shore.

The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.

'The time has come,' the Walrus said,
'To talk of many things:
Of shoes - and ships - and sealing-wax -
Of cabbages - and kings -
And why the sea is boiling hot -
And whether pigs have wings.'

'But wait a bit,' the Oysters cried,
'Before we have our chat;
For some of us are out of breath,
And all of us are fat!'
'No hurry!' said the Carpenter.
They thanked him much for that.

'A loaf of bread,' the Walrus said,
'Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed -
Now if you're ready, Oysters dear,
We can begin to feed.'

'But not on us!' the Oysters cried,
Turning a little blue.
'After such kindness, that would be
A dismal thing to do!'
'The night is fine,' the Walrus said.
'Do you admire the view?'

'It was so kind of you to come!
And you are very nice!'
The Carpenter said nothing but
'Cut us another slice:
I wish you were not quite so deaf -
I've had to ask you twice!'

'It seems a shame,' the Walrus said,
'To play them such a trick,
After we've brought them out so far,
And made them trot so quick!'
The Carpenter said nothing but
'The butter's spread too thick!'

'I weep for you,' the Walrus said:
'I deeply sympathize.'
With sobs and tears he sorted out
Those of the largest size,
Holding his pocket-handkerchief
Before his streaming eyes.

'O Oysters,' said the Carpenter,
'You've had a pleasant run!
Shall we be trotting home again?'
But answer came there none -
And this was scarcely odd, because
They'd eaten every one.

THE WALRUS AND THE BEATLES

While skiffling with his 'Quarrymen'
Boy Lennon said to Paul
"Hey, dude, why don't you sing with us?
We're sure to have a ball."
So Paul said 'Yes' and George was next
And Ringo last of all.

A group was formed, the scene was set
They went in search of fame
But soon the boys all realised
They'd have to change their name
So, inspired by Buddy's 'Crickets',
'The Beatles' they became

They learnt their trade in Hamburg's dives
And back in Liverpool
Where they played at The Cavern club
(The kids thought they were cool!)
Said Epstein, "Can I manage you?
"Together we shall rule!"

The rest, of course, is history
Their status quickly soared
They cut a record, 'Love Me Do'
And it reached No. Four
The fans adored these cheeky lads
And they demanded more!

And that's precisely what they got
As 'Please Please Me' hit Two
Then they had their first No. One
A song 'From Me To You'
And then a bigger No. One
The catchy 'She Loves You'.

Those Lennon and McCartney songs
Were truly so unique,
And the added three-part harmonies
Would make your knees go weak!
And when George started to write hits
The fab four hit fresh peaks.

The disc 'I Want To Hold Your Hand'
Would seal their fate the day
That it rushed in to top the charts
In the US of A!
So, sudden worldwide fame arrived
And it arrived to stay!

The Beatles soared from hit to hit
Their music scaled new heights
Of sheer, creative genius
The future was so bright.
When 'Sgt Pepper' was conceived
It reaffirmed their might.

But, ah, another person had
Intruded on the scene
Her name was Yoko Ono she
Was like a figurine
Sad Lennon he was dazzled but
The others weren't so keen...

These were the 'fab four's' golden days
When they were at their peak
But had that vast creative vat
Begun to spring a leak?
And over time, did Yoko break
The Beatles, so to speak?

And was this the defining time,
When history looks back,
The Beatles' base began to shift
It's walls began to crack?
Did they choose wrong directions?
Had they subtly changed tack?

"The time has come, fans," Lennon said
"For an unusual song
I wrote it on an acid trip
The lyrics sound all wrong
'I Am The Walrus' it is called
I hope you sing along!"

I do aver, we loved those words
Ah, I did anyway!
Ooh, the idiosyncrasy!
But, buddies, may I say?
I'd sensed a threat of an adieu,
Some sad and sorry day

In those last topsy turvy years
The boys' success plateaued
Their work it's said, was not their best
(Aside from 'Abbey Road')
The four discussed it and agreed
To end the episode.

Behind them lay achievements that
No one would ever beat
The twists of fate that teamed them up
History can't repeat
We will not see their likes again
Nor duplicate their feats

So, Macca carried on with 'Wings'
And then went off solo
While Lennon scored hits of his own
Or dabbled with Yoko
Harrison wrote new, classic tunes
That always ebbed and flowed.

But now, within our souls we hoped
That, at a future date,
The 'fab four' boys would reunite
So we could hear them play
We had such hopes, but, ah, as usu-
-al, life got in the way...

Or rather, 'death' got in the way
Mark Chapman saw to that.
Then cancer saw off Harrison
And so our dreams were dashed
But their sweet music stayed alive,
And rose out of the ash.


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903

Rolling Stone magazine's list of the one-hundred greatest singers of all time
01 Aretha Franklin
02 Ray Charles
03 Elvis Presley
04 Sam Cooke
05 John Lennon
06 Marvin Gaye
07 Bob Dylan
08 Otis Redding
09 Stevie Wonder
10 James Brown
11 Paul McCartney
12 Little Richard
13 Roy Orbison
14 Al Green
15 Robert Plant
16 Mick Jagger
17 Tina Turner
18 Freddie Mercury
19 Bob Marley
20 Smokey Robinson
21 Johnny Cash
22 Etta James
23 David Bowie
24 Van Morrison
25 Michael Jackson
26 Jackie Wilson
27 Hank Williams
28 Janis Joplin
29 Nina Simone
30 Prince
31 Howlin' Wolf
32 Paul "Bono" Hewson
33 Steve Winwood
34 Whitney Houston
35 Dusty Springfield
36 Bruce Springsteen
37 Neil Young
38 Elton John
39 Jeff Buckley
40 Curtis Mayfield
41 Chuck Berry
42 Joni Mitchell
43 George Jones
44 Bobby "Blue" Bland
45 Kurt Cobain
46 Patsy Cline
47 Jim Morrison
48 Buddy Holly
49 Donny Hathaway
50 Bonnie Raitt
51 Gladys Knight
52 Brian Wilson
53 Muddy Waters
54 Luther Vandross
55 Paul Rodgers
56 Mavis Staples
57 Eric Burdon
58 Christina Aguilera
59 Rod Stewart
60 Bjork Guodmundsdottir
61 Roger Daltrey
62 Lou Reed
63 Dion DiMucci
64 W. Axl Rose
65 David Ruffin
66 Thom Yorke
67 Jerry Lee Lewis
68 Wilson Pickett
69 Ronnie Spector
70 Gregg Allman
71 Frederick "Toots" Hibbert
72 John Fogerty
73 Dolly Parton
74 James Taylor
75 Iggy Pop
76 Steve Perry
77 Merle Haggard
78 Sly Stone
79 Mariah Carey
80 Frankie Valli
81 John Lee Hooker
82 Tom Waits
83 Patti Smith
84 Darlene Love
85 Sam Moore
86 Art Garfunkel
87 Don Henley
88 Willie Nelson
89 Solomon Burke
90 The Everly Brothers
91 Levon Helm
92 Morrissey
93 Annie Lennox
94 Karen Carpenter
95 Patti LaBelle
96 B.B. King
97 Joe Cocker
98 Stevie Nicks
99 Steven Tyler
100 Mary J. Blige

01 R-E-S-P-E-C-T
02 Brother Ray
03 The King
04 Wonderful World
05 Yoko's terminated consort
06 Through the grapevine
07 Whining jew
08 On the dock
09 Blind negro
10 Feeling good!
11 Yesterday
12 Awopbopaloobopalopbamboom!
13 Can't see
14 Reverend
15 Midlands rock god
16 Jumping Jack Flash
17 Simply the (seventeenth) best!
18 Majestic...he will rock you!
19 Enjoys joint
20 Miracle
21 Man In Black
22 At last
23 Major Tom
24 Irritable Norn Iron storyteller
25 Thriller
26 An entertainer
27 Stetson
28 Texan
29 Her baby just cares
30 Purple gnome
31 Blues lord
32 Patronising, pontificating pranny
33 Kept on running
34 Diva
35 Blue-eyed soul
36 The Boss
37 Wrinkly-looking joke
38 Ivory-tinkler
39 Grace
40 Sweetest feeling
41 Reeling and rocking
42 Canadian skirt
43 Country jigs
44 Renowned drinker
45 Nirvana
46 Crazy crooner
47 Door
48 Mr American Pie
49 Revered vocalist
50 Blues bird
51 Killed Me Softly
52 Beach Boy
53 He's a M...A...N.
54 Dancing with his father
55 Free
56 Living legend
57 Animal
58 "Dirrty" diva
59 Wrinkly old fossil
60 Shrill Iceland troll
61 Roar in The Who
62 New York Velvet legend
63 Doo-wop
64 G n' R wally
65 Temptation
66 Oh joy! Radiohead!
67 Killer
68 Mustang Sally
69 Phil's girl
70 Southern
71 Jamaican
72 C.C.R.
73 Nice bristols!
74 Sweet Baby James
75 "Car insurance salesman" jibes
76 Jerk in Journey
77 Fugitive
78 Jolly funky!
79 Vision of Love
80 Jersey boy ("Sherry")
81 Boom boom!
82 Gravelly growler
83 Skinny punk
84 She's a rebel
85 Soul jewel
86 Bright-eyed
87 Boy of Summer
88 Country outlaw
89 Soul Man
90 Joint harmony...Don and Phil
91 The Band
92 Miserable now
93 Eurythmic
94 Anorexic drummer
95 Lady Marmalade
96 Blues statesman
97 Sheffield tonsils
98 Siren
99 Aerosmith jester
100 Sorry..."Bilge"!


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904

[A war sonnet is anagrammed into another sonnet about peace, which also contains a visual constraint detailed below it:]


Ella Wheeler Wilcox's War Sonnet

Above the chaos of impending ills,
Through all the clamour of insistent strife,
Now while the noise of arming nations fills
Each throbbing hour with menaces to life,
I hear the voice of Progress! Strange indeed
The shadowed pathways that lead up to light.
But as a runner sometimes will recede
That he may so accumulate his might,
Then with a will that needs must be obeyed
Rushes resistless to the goal with ease,
So the whole world seems now to retrograde,
Slips back to war, that it may speed to peace;
And in that backward step it gathers force
For the triumphant finish of its course.

The Horrible Hoax of War

When pundits strictly tell their mob to hate,
Or somehow use each issue to fuel fright,
Or in a chapel shout, "We mustn't wait!
The wretched hogs might trap us! Time to fight!",
We'd wince at the inept force of this bait.
This way can't heal those hearts or make life stronger;
As all the noble diplomats shall state,
"Peace is not swift at all, and war's much longer".
Men store a healthy stash of candid rage,
A widow airs dislike with every glare,
But for this genesis, we need this age
Of humble cheer - not panic or despair!
Though instant tenderness now should be awesome,
This epic miracle needs love to blossom.

[The sonnet contains the 7 Heavenly Virtues (chastity, temperance, charity, diligence, patience, kindness and humility) in such a way that they display the peace sign:]



When pundits strictly tell their mob to hate,
Or somehow use each issue to fuel fright,
Or in a chapel shout, "We mustn't wait!
The wretched hogs might trap us! Time to fight!",
We'd wince at the inept force of this bait.
This way can't heal those hearts or make life stronger;
As all the noble diplomats shall state,
"Peace is not swift at all, and war's much longer".
Men store a healthy stash of candid rage,
A widow airs dislike with every glare,
But for this genesis, we need this age
Of humble cheer - not panic or despair!
Though instant tenderness now should be awesome,
This epic miracle needs love to blossom.



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905

[Dickinson's seasonal poem is anagrammed into a poem about a snowman that also contains a visual constraint, detailed below:]

'There's A Certain Slant Of Light' by Emily Dickinson

There's a certain Slant of light,
Winter Afternoons -
That oppresses, like the Heft
Of Cathedral Tunes -

Heavenly Hurt, it gives us -
We can find no scar,
But internal difference,
Where the Meanings, are -

None may teach it - Any -
'Tis the Seal Despair -
An imperial affliction
Sent us of the Air -

When it comes, the Landscape listens -
Shadows - hold their breath -
When it goes, 'tis like the Distance
On the look of Death -

A Lone Snowman In The Lane

Infinities
Of idle sleet
Are cast across
A rustic street;
This can eclipse
The scenic glee
That occupants
Awoke to see.
But one terrain
No veil can hide;
Our fervent knight
Is keen, coal-eyed.
The snowflakes fall
Yet this can't pain
This sentry, here
On my fair lane.
The frosted drafts
Won't mar that pine;
They're prone to fear
His fine, white shine,
And when their breaths
Shall fog this night,
That beam should aid
A sled mid-flight.

[The constraint: The white snowman that the poem describes actually appears when the monospaced text is centered and all the C's (which stand for Coal) are blackened:]

A Lone Snowman In The Lane

Infinities
Of idle sleet
Are cast across
A rustic street;
This can eclipse
The scenic glee
That occupants
Awoke to see.
But one terrain
No veil can hide;
Our fervent knight
Is keen, coal-eyed.
The snowflakes fall
Yet this can't pain
This sentry, here
On my fair lane.
The frosted drafts
Won't mar that pine;
They're prone to fear
His fine, white shine,
And when their breaths
Shall fog this night,
That beam should aid
A sled mid-flight.