Anagrammy Awards > Literary Archives > Meyran Kraus
Several
treatments of a pair of acrostic poems, one by Carroll |
Original text in yellow, anagram in pink.
I. Leaving both originals untouched and adding a short descriptive line to each in order to create an anagram. |
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(Here we have two verses and thirteen lines. Each line starts with a specific letter, each verse gives a name; both of them give a lovely sweetheart. That's quite clever, I have to say!) |
(It is an acrostic too, this exciting tribute, 'word-picked' by a weak bride, to her guy, one sad (now dead) bard: as I read it downward I identify Poe, the moody duke of woe. Though too tacky, I've decided it is, by far, good art.) |
II. Anagramming one into a paraphrase of the other, while still maintaining the acrostic in the anagram. |
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Lewis Carroll "Are you deaf, Father William!" the young man said, "Pack it up in brown paper!" the old man cried, |
Virginia C. Poe Eleven hundred miles I'd go with you. |
III. Anagramming each one individually into a new acrostic poem. |
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Lewis Carroll "Are you deaf, Father William!" the young man said, "Pack it up in brown paper!" the old man cried, |
Mey K. "Good god, my dear daddy!", G.W. whined, |
Virginia Clemm Poe Ever with thee I wish to roam - |
Mey K., The Suave Poet More than three scores ago, was born |
Updated: May 10, 2016
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