Anagrammy Awards > Literary Archives > Richard Grantham
Original text in yellow, anagram in pink.
A poem by Sylvia Plath from 1962. |
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THE NIGHT DANCES A smile fell in the grass. And how will your night dances Such pure leaps and spirals - The world forever, I shall not entirely Of your small breath, the drenched grass Their flesh bears no relation. And the tiger, embellishing itself - The comets Such coldness, forgetfulness. Warm and human, then their pink light Through the black amnesias of heaven. These lamps, these planets Six-sided, white Touching and melting. |
BEDTIME BALLET A laugh lands, is lost. So how must the bedtime ballet Who has seen such unalloyed choreography - Earth in perpetuity, I shall not fully As he respires, the dewy Yet lacking indifference. Displaying arrogant patterns - These meteors Sheer hellish incomprehension. Lively, heartfelt, then see him shaken Through many miles of missing thought. His illumination, fine flocks of stars Hexagonal, ashen Killed, dying on contact. |
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A simultaneous anagram and approximate translation of a poem by Vincente Huidobro. |
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CHANSON DE LÀ-HAUT La Seine dort sous l'ombre de ses ponts. Sur le chemin de ton parfum Dans ma tête un oiseau chante toute l'année. |
SOUNDS FROM OVERHEAD See Seine asleep under l'Alma. On scent's stone-set course A sole bird cheeps in me all the time. |
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Shakespeare's bawdiest sonnet, number 151. |
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Love is too young
to know what conscience is; |
Our good Shakespeare's hundred and fifty-first sonnet (from the 'Dark Lady' series) is beyond doubt the most bawdy of this very rude cycle, involving not only the Act of Love (shyly represented) but also a truly graphic portrayal of his erection - even the post-coital detumescence. Yet the poem's principal theme is that of infidelity, an aspect that big lazy schoolboys with filthy minds nearly always miss. The more moody following sonnet ('In loving thee...') continues on the matter, too, but he now feels sour, hurt, too thrown off - not brought to arousal - by his most trying Other Woman. |
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A poem by W.H.Auden from 1938, anagrammed to suit a different painting. |
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MUSÉE DES BEAUX ARTS About suffering they were never wrong, In Breughel's Icarus, for instance: how everything turns
away |
LE SOMMEIL Concerning the subconscious they were always right, Try Pomegranate by Dalí, for example: such realism
despite |
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Updated: May 10, 2016
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