Richard Grantham

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Original text in yellow, anagram in pink.

A poem by Australian poet Thomas Shapcott.

ELEGY FOR A BACHELOR UNCLE

We knew too much about him, and too little,
our mother's only brother, our fat, apologetic uncle,
who had always lived at home, at our grandmother's house,
because of habit, or the drift of a few years too many,
or because, as he said, she needed him.
His room was fringed with the dead shells of his hobbies
and the few books he was always intending to finish.

Growing up, we took it for granted that he should be
text-book illustration of a popular theory,
complete with selfish possessive mother, security,
and mannerisms too dull, too ingrown, to be borne
at close quarters. On the occasions when we called
we always left early, brazen with excuses.

He was not fifty when he died, leaving only my grandmother
shocked and unprepared, groping for a handkerchief.
We knew too much about him, and too little,
                because now that he is dead
I think of a day shortly before the end
when he put a record on for me and my new bride –
it was a dance-thing old as the thick shellac disc
its sound had been scored into – and there
on the scratched veranda he asked her to dance,
spinning her round and round effortlessly. I was embarrassed –
but he smiled, and was unfamiliar
and at ease, and I saw a drowned young man,
my uncle, urging through the mediocre decades,
groping up to the last rim of Possible, yet,
forgetting the mirror and all the intractable measurements.
But the record lasted only three minutes;
and I took her away quickly. Now I must live
among acts not done and words too long unsaid.
I knew too little; and he found me out.
I wish I could believe him wholly dead.

My mother's only sibling, Peter, was born some years after her. As a child she adored her kid brother - but the age difference made itself known soon enough, when she married and the demands of rearing her young brood forced the two of them apart. When I was small our paths rarely crossed, and I always remained shy of this strange, taciturn character with the long, rather scraggly hair. We spoke awkwardly, if we spoke at all.

I understood he was an artist and musician, but of an unorthodox bent which I (at such a tender age) could not fathom; in my innocence I soon decided that this was enough to know, and left it at that.

He was not thirty when he died. I was barely nine, not too young to comprehend but too young for my folks to burden me with the details. And I am still unburdened... I recall numerous outings down to a hospital but on each occasion being left there in the car, bored to death. I do not recall a funeral.

A decade or so later, shuffling through his belongings I suddenly found unusual books, atonal records, esoteric scores he had played, surreal poetry - often wordplay-related - and hundreds of amazingly intricate, hypnotic doodles he had drawn. These morsels of what might have been gripped me at once, but too late I had begun to solve the riddle... I am left with my inadequate knowledge of this unique man, a boxful of whose hardbacks now reside on my bookshelf, who composed and whose musical tastes were so like my own, whose middle name I answer to... whom I have almost become.

I knew too little, but he never guessed.
I wish I could believe that, once, he lived.

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A poem by Australian poet A.D. Hope.

AUSTRALIA

A nation of trees, drab green and desolate grey
In the field uniform of modern wars
Darkens her hills, those endless, outstretched paws
Of Sphinx demolished or stone lion worn away.

They call her a young country, but they lie:
She is the last of lands, the emptiest,
A woman beyond her change of life, a breast
Still tender but within the womb is dry.

Without songs, architecture, history:
The emotions and superstitions of younger lands,
Her rivers of water drown among inland sands,
The river of her immense stupidity

Floods her monotonous tribes from Cairns to Perth.
In them at last the ultimate men arrive
Whose boast is not: 'we live' but 'we survive',
A type who will inhabit the dying earth.

And her five cities, like five teeming sores,
Each drains her: a vast parasite robber-state
Where second-hand Europeans pullulate
Timidly on the edge of alien shores.

Yet there are some like me turn gladly home
From the lush jungle of modern thought, to find
The Arabian desert of the human mind,
Hoping, if still from the deserts the prophets come,

Such savage and scarlet as no green hills dare
Springs in that waste, some spirit which escapes
The learned doubt, the chatter of cultured apes
Which is called civilization over there.

AUSTRALIA

In decades past her emblem was sterility,
Both of the wretched soil and of the soul:
When it came to refinement, our nation's role
Seemed to typify the zenith of hostility,

With the utmost disdain for manners and a dearth
Of sketching, performers and poetry;
No need for such mammoth frivolity
In the dogged fight against a barren earth,

And the hellish conditions which endlessly loomed,
Harsh as the men who fought to resist.
Drought, erosion, salinity still persist -
However, the other desert seems now to have bloomed.

For the nation's psyche has been infiltrated,
Emerging into a healthy multicultural hive,
Where cosmopolitan style and drive
Make each metropolis so very sophisticated,

Invested with blessings beyond dispute:
Literature, verse, all manner of clever artifice,
A stunning harbourside operatic edifice,
Homegrown films and thespians of worldwide repute.

Yet there are some like me who understand
That this is but a veneer of esprit,
Hastily transplanted from across the sea
Where the pillars of culture weren't built upon sand;

Our slavish adherence to each new fad
Inexorably brings us ever nearer
To subjugating the horseman, bushranger and shearer -
Thus losing what little soul we had...

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Updated: May 10, 2016


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